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ABBEY ST VICTOR -

Abbey Saint-Victor de Marseille for a monastery originally founded by John Cassian in the fifth century, located on the site an old quarry and a necropolis ancient and medieval. The monastery was fortified with battlements in the fourteenth century by Pope Urban V.

today remains only the church following the destruction that occurred during the Revolution and the Empire.


The Black Madonna or Our Lady of the Confession

The Virgin Mary, crowned and veiled, sits in majesty, holding, hand, left the child Jesus on her lap. She is especially honored Feb. 2, Candlemas Day.

This statue, with a height of 98 inches, in walnut which blackens with age, date of completion of the twelfth century - early fourteenth century. During the Revolution, the statue was saved but the treasure, consisting of clothing and jewelry, is dispersed in 1794. The statue is auctioned and awarded to Mr. Laforet, a municipal officer and is then exposed to different churches and solemnly brought to Saint-Victor 20 May 1804.

high altar Jean Bernard and companions of duty.

The nave

The nave with four bays and aisles is Gothic style. They date back to Abbot Hugh of Glavin death in 1250. Ribbed vaults were originally planned across, but the nave preferred to adopt the architect of the cradles broken, leaving the unused columns which were to receive the springing of the ribs. The nave evokes and the Romanesque period. In the seventeenth century a direct illumination of the nave is done by piercing the arches of windows.

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MARSEILLE NOTRE DAME DE LA GARDE

Our Lady of the Guard, also known locally as "Good Mother" is a minor basilicas of the Catholic Church. It is located on a rocky peak of 149 meters south of the Old Port of Marseille, elevated 13 meters through walls and foundations of an ancient fort

Built by architect Henry Espérandieu in the Romano-Byzantine and dedicated June 5, 1864, it replaced a chapel built by the same name 1214 and rebuilt in the fifteenth century. Built on the foundations of a fort built by the sixteenth century Francis I in 1536 to withstand the siege of Charles V, the basilica has two parts: a lower church, or crypt, carved into the rock and the Romanesque style, and- above a high church-style Romanesque Byzantine decorated with mosaics.


On top of a square tower 41 meters high topped himself with a sort of tower of 12.5 meters which serves as a pedestal, stands a monumental statue of 11.2 meters of the Virgin and Child made of copper with gold leaf.

The stone used for construction, especially the green from near Florence, had proven susceptible to atmospheric corrosion, it was necessary to undertake from 2001 to 2008 a long and careful restoration.


In Marseille, Notre-Dame de la Garde is traditionally regarded by the public as the guardian and protector of the city.

The court offers a panoramic view of Marseille, including the Old Port,

the Cathedral of the Major

Fort St Nicolas,

and the surrounding hills.














The restoration also included the renovation of the mosaics, the Liberation damaged by bullet holes and blackened over time by smoke candles.

The inside dimensions of the upper church are quite modest. The nave has a length of 32.7 m. and a width of 14 m. Each side chapel measuring 3.8 m. by 5.4 m. Inside the upper church is the triumph of the polychrome with magnificent mosaics and marble columns and pilasters with alternating red and white colors. If the white Carrara marble was needed, in contrast to the red choice was very difficult. The architect wanted a Espérandieu red shade to match the tiles and not too sharp with the white Carrara marble.

The mason Jules Cantini made the discovery at a place called "the beautiful stones" on the commune of La Celle near Brignoles (Var) of a marble deposit red marbled with yellow and white, receiving a fine polish, which agreed perfectly. For the upper parts is stucco, that is to say of reconstituted marble, which was adopted.

The mosaic ceilings and walls with the developed surface is about 1 200 m2 have been made from 1886 to 1892 by the company based in Nimes Mora. The tiles that came from Venice, were manufactured by craftsmen at the top of their game. Each panel contains nearly 10,000 tiles per m2, accounting for about 12 million basilica plaid January-February cm2.

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CALLIAN

Picturesque hilltop village in the Var, Alpes-Maritimes border, located half an hour from Cannes, Frejus and its beaches, St. Raphael and the Esterel mountains. The village is dominated by its castle where curl alleyways lined with old mansions. The view over the valley, the Tanneron, Lake St. Cassian, the Esterel and the Massif des Maures.

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THE CATHEDRAL OF AMIENS

Cathedral of Amiens has been listed 1981 at the UNESCO World Heritage. With its 145m length, a height of 112m spire and vault under 42m, an internal volume of 200 000m3, is one of the tallest and largest buildings ever higher. It is the largest church in France. With the cathedrals of Chartres and Reims, it is considered the archetype of the classic Gothic style.

The oldest part of the building, the nave, high by 42.3 meters. Basically the rose or rosette West Sea flamboyant style, overcoming the rostrum of the organ, dating from the early the sixteenth century.

The construction of the Cathedral of Amiens (1220 - 1402) was very important for the development of the rationalization of medieval sites and size of stones in series . From the start of construction, in fact, Robert Luzarches had designed four different types of stones that were produced in series. The stones used mainly provinrent Picquigny great careers, they were transported by boat across the Somme to the city of Amiens.

L e portal of the Last Judgement (when at the end of time, according to Christian tradition, the dead rise and are judged by Christ) in the center of the western facade of Notre-Dame d'Amiens: the eardrum and arches.





the eighteenth century, the bishop of Amiens, Bishop Louis-François-Gabriel d'Orléans de Lamotte, whose reign Episcopal extends from 1734 to 1774, tried in the years following his appointment, leaving the impression in his Cathedral of a new art, dynamic and enthusiastic Baroque .

The new baroque high altar was installed as 1751. It is bordered by a grand sculptural group, occupying most of the apse and composed of large baroque sculptures (in French) decorated with gold. It is a unique monument that works was designed by architect Pierre-Joseph Christophle Avignon and sculpted by Amiénois Jean-Baptiste Dupuis. It is called the Eucharistic Glory. On a marble base, Glory Eucharistic form of a swirl of clouds surrounded by a halo of light rays made huge golden needles. In the center is the Eucharistic dove to which all eyes

The centerpiece of the pavement of the cathedral is an octagonal maze located at the fifth bay of the nave. Its length is 234 meters. In the Middle Ages, some pilgrims came to venerate the relics of St. John the Baptist, whose skull had been reduced in 1206 by Canon Walloon Sarton, traveled to the knees, like a Via Crucis. They had to follow that black line. It was an ordeal that would be suffered by those who wished to sanctify, or gain a few indulgences, or atone for the sins they had committed serious.

The central stone of the labyrinth is very interesting because there is a narrative summary of the founding of the cathedral, standing on a strip of copper. At the center of the room, a cross-oriented to the cardinal points is surrounded by 4 characters: the three architects of the cathedral (Luzarches Robert, Thomas and Renaud de Cormont) and Bishop Evrard Fouilloy.

The western facade

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COUP ON THE SEA RIVIERA NICE RUSSIAN CHURCH

Cagnes sur mer under pebbles ...

Under the rollers: the beach ... Forgiveness: The Way ...

Nice - Promenade des Anglais in the water.

Blue Chair Nice ... Terrified ...

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Because of the importance of the Russian community located in Nice during the second half of the nineteenth century, it was decided the construction of a Russian church in the city. The Tsarina Alexandra Feodorovna in 1856 launched a subscription and the Church of Saint Nicolas and Saint-Alexandra Street Longchamp was inaugurated in 1859. It is therefore the first Russian church of Western Europe. But soon it became too small for the Russian colony which continued to grow.

The need for a new place of worship was felt. In 1903, the park Bermond, began building a cathedral. It was here in 1865, the Tsarevich Nicolas Alexandrovitch, son of Alexander II, had died at the age of twenty years as a result of meningitis when he was staying at the villa that Bermond his father had rented. Shortly after, it bought the park, the villa was razed to build a chapel in honor of her son, exactly where it was dead. It was near this chapel that the cathedral was built and inaugurated in 1912.

Since 1923, it is a religious association that manages the St. Nicolas Orthodox parish of Manchester Cathedral and then [2]. However, since November 2006, the Russian Federation claims ownership of the cathedral on the grounds that the land on which it was built, belonged to the imperial family of Russia before the Russian Revolution of 1917. The case was brought to justice.

On 20 January 2010, the High Court decided in Nice, at first instance, to assign ownership of the cathedral in the Russian Federation, arguing that the nature of emphythéotique lease, first signed in 1907 for a period of 99 years, according to which, since 1923, the building is occupied by the Association of Russian Orthodox worship of Nice (CAPSA), would not give it right to adverse possession, that is to say despite the continued occupation of the premises for 86 years, the ownership of the building, adjoining land, property and furniture contained in the cathedral