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THE CATHEDRAL OF AMIENS

Cathedral of Amiens has been listed 1981 at the UNESCO World Heritage. With its 145m length, a height of 112m spire and vault under 42m, an internal volume of 200 000m3, is one of the tallest and largest buildings ever higher. It is the largest church in France. With the cathedrals of Chartres and Reims, it is considered the archetype of the classic Gothic style.

The oldest part of the building, the nave, high by 42.3 meters. Basically the rose or rosette West Sea flamboyant style, overcoming the rostrum of the organ, dating from the early the sixteenth century.

The construction of the Cathedral of Amiens (1220 - 1402) was very important for the development of the rationalization of medieval sites and size of stones in series . From the start of construction, in fact, Robert Luzarches had designed four different types of stones that were produced in series. The stones used mainly provinrent Picquigny great careers, they were transported by boat across the Somme to the city of Amiens.

L e portal of the Last Judgement (when at the end of time, according to Christian tradition, the dead rise and are judged by Christ) in the center of the western facade of Notre-Dame d'Amiens: the eardrum and arches.





the eighteenth century, the bishop of Amiens, Bishop Louis-François-Gabriel d'Orléans de Lamotte, whose reign Episcopal extends from 1734 to 1774, tried in the years following his appointment, leaving the impression in his Cathedral of a new art, dynamic and enthusiastic Baroque .

The new baroque high altar was installed as 1751. It is bordered by a grand sculptural group, occupying most of the apse and composed of large baroque sculptures (in French) decorated with gold. It is a unique monument that works was designed by architect Pierre-Joseph Christophle Avignon and sculpted by Amiénois Jean-Baptiste Dupuis. It is called the Eucharistic Glory. On a marble base, Glory Eucharistic form of a swirl of clouds surrounded by a halo of light rays made huge golden needles. In the center is the Eucharistic dove to which all eyes

The centerpiece of the pavement of the cathedral is an octagonal maze located at the fifth bay of the nave. Its length is 234 meters. In the Middle Ages, some pilgrims came to venerate the relics of St. John the Baptist, whose skull had been reduced in 1206 by Canon Walloon Sarton, traveled to the knees, like a Via Crucis. They had to follow that black line. It was an ordeal that would be suffered by those who wished to sanctify, or gain a few indulgences, or atone for the sins they had committed serious.

The central stone of the labyrinth is very interesting because there is a narrative summary of the founding of the cathedral, standing on a strip of copper. At the center of the room, a cross-oriented to the cardinal points is surrounded by 4 characters: the three architects of the cathedral (Luzarches Robert, Thomas and Renaud de Cormont) and Bishop Evrard Fouilloy.

The western facade